Recently I purchased fifty grade B 1950s-era science fiction movies for fifteen dollars. I also recently bought forty 50s era Time magazines for a hundred dollars. But let's talk about the DVDs--in a package called "Sci-Fi Classics" by Mill Creek Entertainment.
Having watched just four of the fifty, I can already recommend this collection to anyone who wants to laugh, become baffled at trying to figure out how anyone could conspire to make anything so bad, wonder at how these trifles ever got shown in a theater, marvel at the unrepentant and continuing fatuousness, try to decipher a connection between the chilling titles (like "The Incredible Petrified World") to the dull doings on screen, and watch, in a historiographic, postmodern manner, the effects of sexism, racism and lousy cinematography at work in a culture struggling with such newfangled phenomena as radiation and the possibility of outer-space travel.
I have laughed out loud at certain moments in these movies: as when a random, large lizard that has nothing to do with the movie puts in a brief, pointless appearance; or when scantily-clad women wrangle in a prurient cat-fight. My wife, a vocal critic of anything that emits even a whiff of sexism, has vowed the films are a disgrace and beneath one's intelligence. Of course she is correct.
But I cannot forego the pleasure of marveling at the wide gap between what is promised (chills, thrills and earthshaking revelations) and what is actually in the movie, usually a tawdry mash-up of tepid acting, embarrassingly poor special effects (no Ray Harryhausen here), nonsensical plot-twists and what appears to be a general heedlessness to the notion that one might actually ask another human to pay money to view the resulting dreck.
Perhaps the most strking example of this canyon-wide gap (at least so far) has been "The Monster that Challenged the World". The monster turned out to be a species of mollusk that grew (because of radiation, as appears to be the rule) to the size of an old gumdrop-shaped Fiat in an inland lake and then tried to escape through an irrigation system. Sure, there were a couple dozen of them. And they could walk on land! And they actually killed some folks. But they were slow, and not that big, and for heaven's sake they were mollusks after all. Besides scaring people to death and strangling a poor doddering old man at a guardpost, the monsters' worst offense was to leave behind a white slime that looked like toothpaste in outsized volume (and was not harmful except to one's sense of aesthetics). This, I submit, is hardly a challenge to the world as much as to the State Agricultural Commission.
But that is all part of the fun.
After a hard day trying to get other people to do what you want them to do (at work or business), or being made to do what other people want you to do (at work or business), why not mix yourself a toddy and sit back to enjoy fifty of these wonderfully idiotic movies guaranteed not to inspire or frighten or connect one to "what's really going on out there" but that may, after the effects of the toddy sets in, cause you to chuckle and smile and knit your brows in wonderment at the cinematic genuine silliness of which our so-called advanced race of creatures is capable.
